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For general operation. User s Guide Version 1. No parts of this work may be reproduced in any form or by any means – graphic, electronic, or mechanical, including. Under copyright laws, this guide may not be.

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The information presented is subject to change without notice. System Requirements Operation Flow Audacity 1. Use one. DASTools v1. Configuration Requirements 3 3 Software Installation This manual applies to 1. The instructions. October 12, software sequencing basics Software Sequencing Basics Supplemental Notes Roland gear is often used in conjunction with a variety of software sequencer programs.

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Display Mode: Click to limit the device display to only the name or only the value of the current parameter. This is helpful if there is insufficient space for the display of both the parameter name and value. Clock Display: If your control surface features a position display, this parameter determines how the playhead position is represented. Channel Strip View Mode pop-up menu: Choose one of the following views: Arrange: The channel strips on the device correspond to Logic Pro channel strips as they appear in the Mixer window.

The layout of channel strips matches the way tracks are laid out in the Tracks window. Channel strip 1 in the Mixer window is equivalent to channel 1 on the control surface, channel strip 2 in the Mixer is equivalent to channel 2, and so on. Instruments and channels used by multiple tracks are merged into one channel.

This is the default mode of most devices, including the Mackie Control. All: The channel strips on the device correspond to Logic Pro channel strips of certain types, such as MIDI or aux channels, independent of their use in tracks. Control surfaces that support this view generally allow you to define which channel types you want to display. Tracks: This view is similar to Arrange view, but individual channel strips are shown when multiple tracks address the same channel.

Typically, this is a software or MIDI instrument channel, with several tracks routed to it. You can determine which parameters are edited by the channel strip controllers on the control surface.

Note: The View is a property of the control surface group, not a global setting. One group can display busses, while the other shows tracks, for example. Fader Bank for Tracks View: Drag vertically, or enter an integer value to offset which tracks are controlled by the channel strips of the device in Tracks view.

For example, if your device has eight channel strips, these might normally be assigned to audio channel strips 1 8 in Logic Pro. Fader Bank for All View: Drag vertically, or enter an integer value to offset which Logic Pro channel strips are controlled by the device in All view. This parameter is only available when multiple channel strip types are displayed in the Mixer.

When single channel strip types are displayed, there are separate fader bank parameters. These aren t displayed in the parameter list. Channel Strip Parameter pop-up menu: Choose which function is controlled by the channel strip encoders on the device. The choices are: Volume: Encoders adjust channel volume. Pan: Encoders adjust channel panorama position. Format: Encoders adjust or select channel format. Input: Encoders adjust or select channel input source. Automation: Encoders adjust or select channel automation mode.

Group: Encoders adjust group membership of the track. Editing the parameter allows you to set either no group or a single group. Enabling membership of multiple groups is not possible. This can only be done directly in the Logic Pro Mixer. Displayed Par. This is especially useful if you set the control surface to Arrange view, and your Tracks window shows multiple automation subtracks with Logic Pro parameters.

Surround Parameter pop-up menu: Choose the surround parameter that the rotary encoders will control. The choices are: Angle: Encoders adjust surround angle. Diversity: Encoders adjust surround diversity direction. Spread: Encoders adjust the Spread parameter of Stereo to Surround channel strips. X: Encoders adjust surround X position.

Y: Encoders adjust surround Y position. Center: Encoders adjust the Center channel level. Note: The X and Y parameters are a different representation of the Angle and Diversity parameters, and thus are independent of them.

The X and Y parameters support the use of surround joysticks. The choices are: Frequency: Encoders adjust the frequency of the selected band. Gain: Encoders adjust the gain of the selected band. Q: Encoders adjust the Q factor of the selected band.

The Channel and Linear Phase EQs feature eight bands per audio channel, with each band offering four parameters. All of these parameters can be accessed with your control surface. If your control surface does not display all EQ parameters at once, you view them by stepping through the parameter pages in sequence. For example, if your control surface has eight channel strips, you can directly control parameters 1 to 8 with knobs or sliders 1 to 8 when you switch to EQ Channel Strip Edit view.

You then need to switch by a page to access parameters 9 to Control Surface Group send and plug-in parameters The parameters in the middle of the Control Surface Group parameters let you control different operational aspects when working with send and plug-in parameters.

Send and plug-in parameters Send Slot: Drag vertically, or enter an integer value to set the currently selected Send slot. The default is 1, which sets the first top Send on each channel as the Send slot. A value of 2 sets the second send as the Send slot, a value of 3, the third Send slot, and so on. The choices are: Destination: Encoder is used to determine the bus channel number for the Send slot.

Level: Encoder is used to adjust the Send level. Send Parameter Page: Drag vertically, or enter an integer value to set the current page for the Send parameters. Up to 32 parameters are available in Send Channel Strip view for a given channel eight Send slots multiplied by the four parameters listed above.

Split: no. The remaining encoders belong to Split Lower. A value of 0 means that Split mode is off all encoders are assigned to the Split Upper area. They are called Split Upper and Split Lower. Instrument Parameter Page: Drag vertically, or enter an integer value to determine which parameter is assigned to the leftmost encoder when editing a software instrument. The next instrument parameter is assigned to encoder 2, and so on.

This applies to Split Upper when Split mode is turned on. Inst Param Page Split Lower : Drag vertically, or enter an integer value to set the parameter that is assigned to the leftmost encoder of Split Lower when editing a software instrument when Split mode is turned on.

Insert Slot: Drag vertically, or enter an integer value to set the current Insert slot number, both for selecting a plug-in in Plug-in Channel Strip view and for editing its parameters.

The default is 1, which sets the first top plug-in slot on each channel as the Insert slot. A value of 2 sets the second plug-in slot as the Insert slot, and so on. This applies only to Split Upper when Split mode is turned on. Insert Slot Split Lower : Drag vertically, or enter an integer value to set the current Insert slot number for Split Lower when selecting or editing a plug-in when Split mode is turned on.

Note: The effect plug-in and instrument page parameters are kept separate because this allows you to quickly switch between editing an instrument and editing an effect plug-in on a channel, without adjusting the parameter page every time.

Plug-in Parameter Page: Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder when editing a plug-in. The next plug-in parameter is assigned to encoder 2, and so on. Plug-in Param Page Split Lower : Drag vertically, or enter an integer value to define which parameter is assigned to the leftmost encoder of Split Lower when editing a plug-in with Split mode turned on.

Channel Strip Track: Drag vertically, or enter an integer value to define which track is displayed for Channel Strip views. Channel Strip Track Split Lower : Drag vertically, or enter an integer value to define which track is displayed in the Split Lower section of the control surface for Channel Strip views, when Split mode is turned on.

Track Lock checkbox: Click to determine how the control surface responds when a track is selected in Logic Pro in essence, this remotely affects the Track and Track Split Lower parameters. When Track Lock is turned on, the control surface group continues to display the same track, independent of the currently selected track in Logic Pro.

When Track Lock is turned off, the control surface group automatically switches to the track selected in Logic Pro. Other parameters Track Name Format: Choose whether the track name display shows only the track name or the track name and number. Parameter Page Shift Mode: Choose whether the parameter is shifted by one page or by one parameter. Relative Change Mode: Choose the mode for controller assignments that support a Relative Value Change mode rotary encoders, for example.

The choices are: Coarse: The parameter is adjusted in coarse steps. Full: Rotating the encoder to the right sets the maximum value and rotating it to the left sets the minimum value.

The encoder also stops at its default value. For example, when the Pan knob is left of center, turning the encoder to the right initially sets the Pan parameter to the center position its default value. A further turn to the right sets Pan to full right its maximum value. Fine: The parameter is incremented or decremented in fine steps by one tick or other unit. In this mode, the highest possible resolution is used.

For example, when editing the Sample Delay plug-in s Delay parameter, every encoder tick increases or decreases the value by 1 sample, regardless of the resolution value. Mix Group: Drag vertically, or enter an integer value to determine which group is edited when in Group Edit mode.

Group Parameter Page: Drag vertically, or enter an integer value to define which parameter of the edited group is assigned to the leftmost encoder. Important: If you want to make changes to the default assignments of control surfaces, you need to use the Controller Assignments window Easy view or Expert view.

See Controller assignments overview. Click the General or Help Tags tab to access the associated preferences. This command is useful for silencing motorized control surface faders when recording in the same room. General preferences Bypass All while in background checkbox: Turn on to allow your control surface to be shared with other applications, when Logic Pro is not the active program. Resolution of Relative Controls slider: Drag to set the resolution of controls that change values in a relative manner.

The default resolution is steps. Choose a higher resolution value to divide the value range into finer increments. You can adjust the value if MIDI or automation playback is being affected. Touching fader selects track checkbox: Turn on to select the track corresponding to the fader when you touch a fader on the control surface. Note: This feature works only with devices that have touch-sensitive faders.

Control surface follows track selection checkbox: Turn on to automatically select the corresponding track or channel on the control surface when you select a track in the Tracks window. To retain a consistent resolution, regardless of Logic Pro window zoom levels, deselect this checkbox. Pickup Mode checkbox: Turn on to use your control surface in Pickup mode if this mode is available.

Some control surfaces, typically those without motorized faders or knobs, do not show parameter changes caused by playing back existing automation data on their interface. Such control surfaces usually offer a Pickup mode. In Pickup mode, the controller must reach pick up the current value before the value starts to change. This feature prevents sudden jumps of parameter values caused by playing back automation.

Your device may provide a display usually a pair of arrow LEDs that indicates the direction or distance you need to move the controller, in order to match the settings shown in Logic Pro also known as NULL.

Once you have matched the onscreen values, deactivate Pickup mode and start automating. When Pickup mode is turned off, adjusting a fader modifies the parameter immediately which can result in parameter value jumps. Flash Mute and Solo buttons checkbox: Turn on to make the Mute and Solo buttons on the control surface blink flash on and off when mute or solo modes are engaged.

Multiple Controls per Parameter pop-up menu: Choose the maximum number of encoders used for each parameter when editing plug-ins or audio instruments. The choices are: 1: Parameters are always displayed using one encoder per parameter, with the least space available for the parameter name and value in the LCD. The first encoder of each group controls the parameter shown in the display.

The remaining encoders are inactive. Using more than one encoder per parameter shows fewer parameters at any given time, but you gain space on the LCD to cater to longer parameter names and values. The more control surfaces you have within a control surface group, the more you benefit from this feature.

Only when all parameters fit on one page checkbox: Turn on to use the defined number of encoders only when there are sufficient encoders available to show all parameters without changing pages. Eleven encoders remain unused.

A plug-in with 11 parameters is shown with two encoders per parameter. Two encoders remain unused as do the inactive encoders of the subdivisions mentioned above. When this parameter is turned off, multiple encoders are used for each parameter, which may require scrolling.

This is not the case if only one encoder is used for each parameter. You can set this option separately for instrument and plug-in parameters, and for volume and other channel strip parameters. Turn off this option if viewing units makes the display too cluttered. Controller Assignments button: Click to open the Controller Assignments window. Expert view is available only when you select the Show Advanced Tools checkbox and the Control Surfaces checkbox in the Advanced Logic Pro preferences.

Setup button: Click to open the Control Surfaces Setup window. Help Tags preferences For control surfaces that feature programmable displays with more than six characters per line or segment of the display, you can change the way help tags are shown. Control surface help tags show additional information during use.

Help Tags preferences While editing show long names for checkboxes: Turn on the two checkboxes in this section to determine how parameter names and values are displayed on the LCD of the control surface. Parameter name checkbox: Turn on to show the full parameter name in the upper LCD line when you edit a parameter.

 

Logic pro x control surfaces support manual free download. Qcon Pro X

 

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You hereby agree to the exclusive jurisdiction and venue of the aforementioned territory, without regards to conflicts of law provisions. Headings have been included for convenience only and shall not be used in construing any provision in this Agreement. All Rights Reserved. News Location Social Media. About KORG. You can enhance your creative flow and can achieve greater flexibility and precision by connecting a hardware control surface to your computer.

Control surfaces or MIDI keyboard controllers are ideal for creating dynamic live performances using a portable Mac and an audio interface.

In the studio, you can record control surface automation for mixer and plug-in parameters even when Logic Pro is not in record mode. Track automation appears in the Tracks area and in the Piano Roll Editor. Moving a fader on the control surface prompts the corresponding fader in the Logic Pro Mixer to move, and rotary knobs or other controls can be used to control EQ or other parameters, with the corresponding parameters updating instantly in Logic Pro.

Because communication between Logic Pro and your control surface is bidirectional, adjustments to parameter values onscreen are immediately reflected by the corresponding control on the control surface. Visual feedback on the control surface is determined by the facilities of the device itself, such as LCD screens, LED indicators, or motorized faders.

When you use a supported control surface with Logic Pro, some controls are pre-mapped to common functions. You can map unassigned controls to other Logic Pro commands and functions. The Logic Pro User Guide contains a section that shows you how to assign controllers on your control surface device to Logic Pro functions.

For devices supported by Lua scripts, you can also remap controls in this way, or you can use the Smart Controls mapping options.

 
 

Logic pro x control surfaces support manual free download.Logic Pro Support

 
 
Feb 26,  · English Language PDF versions of the User Guide and Additional Manuals, can be found here. Logic Pro X – User Guide Jul 16, – 84 MB. Logic Pro X Instruments Jul 16, – 22 MB. Logic Pro X Effects Jul 16, – 13 MB. Logic Pro X – Control Surfaces Support Jul 16, – 4 MB. Control surface devices feature hardware faders, knobs, buttons and displays that offer you tactile control over Logic Pro’s onscreen functions. An overview of using control surfaces in Logic Pro To browse the Logic Pro Control Surfaces Support Guide, click Table of Contents at the top of the page. This manual covers Logic’s dedicated control surface support. Please read it thoroughly to make the most of your new controller(s). Logic comes with dedicated support for certain control surface models. There are several plug-ins which are are a part of Logic. Some plug-ins support multiple similar control surface .